Concord, CA

Ian Bassett

Ian Bassett is a visual artist and potter living in the San Francisco East Bay. He was born in Seoul, Korea and grew up in Connecticut on Long Island Sound. He received his BFA in ceramics from the New Hampshire Institute of Art (Manchester), a Post Baccalaureate in ceramics from Hood College (Frederick, MD) and his MFA in ceramics from Rochester Institute of Technology’s School for American Crafts (NY). He is currently an adjunct professor at Los Medanos College (Pittsburg, CA) teaching ceramics, art history, 3D design and sculpture.

Shop Now

Shafer, MN

Peter Jadoonath

Peter Jadoonath is a teaching artist at Northern Clay Center, and maintains a studio practice in Shafer, Minnesota. Jadoonath received a BFA from Bemidji State University (MN), and has been the recipient of several honors, including a Jerome Ceramic Artist Project Grant, the Red Wing Collectors’ Society Foundation Award, and a Minnesota State Arts Board Artist Initiative Grant. Jadoonath’s work is centered around functional, narrative-driven pottery with a sculptural presence. He describes it best in his own words: “My intent is to create pots that are drawings, and drawings that are pots”.

Shop Now

St. Paul, MN

Kirk Lyttle

Kirk Lyttle was born and schooled in Seattle, Washington. In addition to his ceramics practice, Lyttle was an illustrator and graphic artist for the Pioneer Press. He and his wife, Jil Franke, reside in St. Paul, Minnesota and fire their pots alongside Linda Christianson in her double-chambered Bourry box kiln. Of his work, Lyttle says, “I’d like my pots to appear as though they were knocked off on a whim; the drawings have been done for my personal amusement. If some of them have acquired an aura that transcends these inauspicious beginnings, I’d like it if this were attributed to the mysterious atmosphere of the wood-fired kiln.”

Shop Now

Minneapolis, MN

Beth Thompson

Beth Thompson studied ceramic sculpture at Northern Clay Center (Minneapolis, MN) where she began to sculpt realistic, life-sized dogs out of clay. Animals are her visual medium, and through capturing them in moments of expression and connection she explores human emotions, intimacy and inner dialogues without the barriers of discourse surrounding human figurative work. Her sculpting process includes sketching from life, photo collection, and studying video to learn about the anatomy, musculature, kinesiology and gesture of her subjects. She then makes small scale models to find poses and form before moving on to sculpting the final work from a solid piece of clay on armatures. After sculpting, Thompson lets the clay begin hardening before cutting it into sections, hollowing it out, and reassembling.

Shop Now